If Bob Dylan can release a great song like Dreaming of You over 11 years after he wrote it, than I guess I can dig up an old book review from about five years back and post it.
Seth Rogovoy’s new book, Bob Dylan Prophet,
Mystic, Poet is an admirable piece of work in many ways. By reading its pages even the most devout
Dylan fan is bound to learn many new things about Bob Dylan’s amazing life
story and endless connections and influences upon Bob Dylan, America‘s preeminent
singer songwriter who is estimated to have written 1,500 complete songs. Rogovoy’s love, even self confessed
“obsession”[i] with the
subject matter (i.e. Bob Dylan) is everywhere apparent and can be seen by the
great attention he pays to every possible detail from most obscure liner notes to
the most obtuse rumors. All of this are Tell-Tale Signs [sorry couldn't resist] of the serious and difficult labors that went into this work. However, it is this same obsession with the
subject matter that seems to be its undoing -- as the obsession causes this
book to be fundamentally flawed, and at times….. almost completely undermined.
Because Seth holds Bob Dylan in such high esteem –there are
places in the book where he seems to regard him as of equal stature as the
Biblical (that would be “canonical” for Seth) prophets such as Jeremiah and
Ezekiel -- but he simply cannot accept the notion that Dylan might have truly
converted to New Testament Christianity.
To do so in Seth’s mind would be to completely turn ones back on one’s
upbringing, one’s culture, one’s friends, one’s faith and one’s family. In
Seth’s world, to become a New Testament Christian is the ultimate sacrilege and
if Seth can find some possible way to interpret the data to hold open even a possibility
that Dylan has not completely gone over to the dark side (i.e. born again
Christianity) then he is going to try to do it. But Seth, get over it! He’s gone over! And Seth, until you are willing to acknowledge that Bob Dylan has gone over – then we simply can’t trust you to be an honest interpreter! We can’t regard you as an honest broker of the truth, until you are willing to do this simple, so self evident thing, then we just simply can’t believe you. As Dylan cried out in the Royal Albert Hall in 1966 between songs when somebody from the audience yelled "Judas" and Dylan yells back.... "I don't believe you!" …..”
I have a friend who is Jewish and he is the one who told me about the promotional book tour that Seth was beginning at a local Jewish cultural center. I had read many good articles by Seth in the past and esteemed him highly as a Dylan interpreter, so of course I wanted to go. It turned out that Seth had obtained some advance copies of his book prior to its official release and he made these autographed copies available on this, his very first stop, of his fall book tour. So both my friend and I purchased copies of the book that night and began reading them together. We would see each other weekly as our children took tennis lessons together from the same coach throughout the winter season. So each week we would be able to debrief and compare notes with each other out on the courts as we compared how the reading was going.
Now my Jewish friend told me that he was a slow reader, but I am a super-slow reader. I have always wanted to get that book entitled How to Read a Book Slowly but because I read so slowly, I have never had time to get around to it. I can’t read a book unless I have a pen in my hand, and I use the pen extensively as I read. I never fail to consult a footnote when it is presented before me. So as my Jewish friend and I are working our way though the book, and my friend is starting to get a head of me. He starts telling me things like “Oh you are not going to like this next chapter.” “Why not,” I ask? “Because of what he says when he is interpreting the Christian era, Oh No! You are not going to like it at all.” As the weeks move on, he moves on through the Christian era, while I am still working through the Rolling Thunder years while he heads on into the album called Infidels.
Now when I see my friend the next time, his countenance has dropped when he sees me. “Oh this is really getting bad, it’s getting embarrassing. You are not going to believe what he does with the song Man of Peace.” Now this is really starting to peak my curiosity, but I am a disciplined reader, so I am simply not going to skip ahead -- even if strongly tempted by these sorts of provocations. As a bit of an aside here, to get some background on the song Man of Peace, and Dylan’s understanding, at this period of the Antichrist figure as described in the bible, I recommend the linked “between song rap” at Massy Hall in Toronto, in April 20, 1980. Here Bob says Adolf Hitler is a "preview" of the Antichrist figure and this figure promises that "he is going to bring peace to the world."
But the fact that even my Jewish friend found Seth’s interpretation of the Christian era so difficult to swallow, I think is very telling. I set now before the reader my Jewish friend as exhibit A that I am not exaggerating when I say that Seth has almost completely undermined his good book. And this is a shame, because as I have said, this book is a good work. It just needs about 10 or 20 pages to be cut out because they are so incredibly far-fetched.
Sure it is occasionally a little bit more than annoying to always be
seeing the italicized phrase in Seth’s book about Dylan’s “so called Christian
period,” but I willing to cut him some slack on that. But when Seth comes out and says things like
the following, I just have to draw the line:
When I told people I was writing a Jewish biography of Bob
Dylan, the question I was asked was: “Isn’t he still a born-again Christian?” To which I always replied “Who knows?” Indeed who knows? And in any case, it’s beside the point. This book sets out to make no claims about
Bob Dylan’s past or present religious beliefs or self-identification.
Now wait a minute! I am sorry Seth -- but who are you kidding! Your whole purpose is obviously to point out
Bob Dylan’s large indebtedness to his association with, and by extension, his
personal beliefs in Judaism. And you do
a good job of it. You accomplished your
goal of digging deeply into the unique socio-cultural context in Duluth and
Hibbing, where he was raised in Wisconsin and Minnesota. But an honest reader will recognize that it is
also very clear that part of your agenda in this book is to cast some serious doubt
upon the idea that Dylan is still a “born again Christian” ……… as everyone keeps on reminding you.
And almost as if designed to blow up the whole thesis, just as Seth’s
book is coming out in the fall of 2009, Dylan releases a Christmas album! That really had to hurt. And then when several reviewers of the
Christmas album notice that Dylan is singing the Christian Hymns in complete
seriousness like “O Little Town of Bethlehem” they are prompted to ask Dylan in interviews if
he is signing these Hymns as a true believer in the Christian gospel (the
Christian gospel is the good news
described in the hymn as “the hopes and fears of all the years.”) To which Dylan replies in a promotional piece
for public consumption, “I am a true believer.”
Then add to this that Dylan is at
this same time beginning to open his fall tours with the magnificent rework of song Change my way of Thinkin’ where he is
proclaiming in very clear, and not to be misunderstood language: “Jesus is Coming, Coming back to gather his
Jewels.” This is certainly not anything
your typical Jewish person would ever be willing to confess. To proclaim this message, one has to have gone
over… to have done the unspeakable…..to have become….no, don't say it, it is simply too hard, a Christian.
I applaud the way the early life of the Zimmerman family in
Hibbing are described in much more elaborate detail in Seth’s book than in any
of the other many biographies, and this is great. Seth has done a fine service here in
unearthing unique information about the Jewish summer camp in Wisconsin, his
mother’s family’s connections to the movie theaters in Hibbing, the Yiddish family
connections, and all of the this is great stuff.
He has done the work of a true
historian here and given us a lot of texture to help us understand and begin to
imagine the Bob Dylan boyhood. Too bad
we almost have to revoke Seth’s credentials as a true historian a little later in the
book.
But let’s get right to that section in the book where Seth
goes so seriously off the rails. The
section that becomes really too much to take is the chapter 8 entitled,
“Burnt Offerings” and we going to be suggesting that this part of the book should
be excised and actually become … a literal burnt offering. Seth gives us a little taste of what it was
like for him when “word first started leaking out in 1979 that Bob Dylan
had become a ‘born-again Christian.” He
says “this seemed the worst kind of betrayal” …it “came as a huge letdown” and for
Jewish fans it was to “turn his back on the faith of his forefathers” and it
was simply “intolerable.” When things
become intolerable in a tough family situation (say in the case of alcoholism or child or sexual
abuse) the way that many attempt to deal with the intolerable is resort to
denial. Sadly, this is the road Seth has
chosen to walk down. And here we have to ask the obvious question: "How many roads can
a man walk down? .....and pretend that he still doesn't see?"
So early in this chapter Seth indicates how he is going to
try to explain all of this away. He
informs us that we are about to see that this really “wasn’t as stark and
religious – certainly not as Christian –
as it’s often been made out to be.” So
he is telling us that a work like as Slow
Train Coming is not really “as Christian” as it appears to be. Really?
Now this is going to be a trick!
He is warning us …to get strapped in… and buckle our seatbelts, for he
is about to take us on a ride of some serious intellectual gymnastics. If he can pull this one off it will be akin to a miracle (like turning wine into water) because even the
producer of the album, Jerry Wexler, a fervent atheist, famously said of this album:
"His material [in Slow Train Coming]
turned out to be wall-to-wall Jesus," said Wexler, "but I didn't
care: it could have been the telephone directory.” Wexler didn’t give thought to the material
because he felt so honored when Dylan asked him to produce the album. As Jeff Cocran says in the online journal Like the Dew, “It turned out to be a
huge success, reinvigorating Dylan’s career and introducing him to a whole new
audience. Although many fans were
disappointed, mystified or just plain angry about Dylan’s conversion to
Christianity, [a think I know one named Seth] millions were delighted with his musical sermons. The album went platinum in the U.S. and peaked
at Number 3“[ii]and
earned Bob Dylan his first Grammy Award for Album of the Year.
I am wondering where Seth’s reference to a book, now very hard to find, that I found
to be so helpful during this period of time was, and that was Paul William’s
1979 Book: Bob Dylan: What Happened?
If you are going to cover this period of the Dylan story, you really
need to read William’s amazing descriptions of what those very first born-again
concerts were like in San Francisco.
Paul went to all of them, and described them in exquisite detail, and he was absolutely blown away.
And where are the references to the documentary film of Joel
Gilbert’s Rolling Thunder
and The Gospel Years, Inside
Bob Dylan’s Jesus Years: Busy Being Born… Again!, which feature extensive
and insightful interviews with Bob Dylan’s Pastors at the Vineyard Fellowship in
Southern California as well as Jerry Wexler the producer of the Slow Train Coming album and Mitch Glaser
founding member of Jews for Jesus. As Joel Gilbert describes putting this
documentary DVD together:
Everyone I approached was willing to speak with me, except the
major figures at the Vineyard Christian Fellowship Church, which included
founding Pastors Kenn Gulliksen, Bill Dwyer, and Larry Myers. For four months, I worked on these potential
interview subjects, but encountered resistance because of a policy in the late
seventies to protect Dylan’s privacy so he could grow in his faith without
press intrusion. I found these pastors
were still playing the same role in protecting Dylan’s privacy – there had been
no reason for them to change that approach despite the passage of years. It was only by assuring them that my project
sought to explain the history and context of Dylan’s religious music vis a vis
the times, the Vineyard Christian Fellowship Church, the evangelical movement
in the late 70’s, the born again experiences, Jews for Jesus, and so on that
Pastor Bill Dwyer agreed to open up on the subject for the first time. Pastor Dwyer explained that Dylan (who was a
student in his Bible class), to his amazement, learned the Bible very quickly,
and that his lyrics in “Slow Train Coming” displayed a fantastic grasp of the
messages of the Bible.[iii]
This documentary by Joel Gilbert should have been consulted
by Seth, because it provides the very helpful background details that he needed to piece together the way the born again experience went down. After viewing these materials it is easy to understand and appreciate the Christian albums as a sincere
outgrowth of Dylan's own spiritual seeking.
Dylan’s acceptance of Jesus Christ as his personal
savior was made known in Spring ‘79, soon after his conversion.
According to Clinton Heylin’s Behind The Shades,
Dylan alluded to his faith in a pre-trial deposition to a
defamation-of-character suit filed by Patty Valentine, regarding his song
“Hurricane.” When asked about his wealth, Dylan replied, “You mean my treasure
on earth?” He responded to a question about the identity of the song’s “fool”
by describing that person as being whoever Satan gave power to….whoever was
“blind to the truth and was living by his own truth.” Five days later the deposition was
reported in The
Washington Post. More statements of incipient faith were on
the way.
I was in the audience when Dylan returned to my home town,
the always left-leaning, Madison, WI, as a born again Christian and the Dane
County Coliseum that Dylan which had always sold out for a Dylan concert in just a few days,
was on this occasion, now only half filled. I
heard the boos and cat calls as Dylan persisted in his wall to wall Jesus
proclamations, preaching and beautifully singing these exciting new songs. I was an eye witness to the “Jews for Jesus” evangelists who were handing out religious tracts describing how one can be saved like Bob had
been inside the Coliseum; it was obvious they were invited there by the artist
himself. I saw some older Dylan fans almost
coming to blows with the evangelists when they presented them with these religious tracts. I know what
happened…because I was there and it was electrifying, both in the performance and the whole ambiance of the place, and I know
what price Dylan paid for his new found faith in the face of the shameless
scoffers. It is all well explained and
described in the Bob Dylan song from a couple years later: Dead Man, Dead Man.
But I digress. I
don’t think I need to go over the mountain of evidence that Dylan has plainly
confessed to being a Christian since 1979 and that he continues to follow this
road today, albeit a little less overtly.
If I went on, Seth won’t believe it anyway, even if I filled a thousand
encyclopedias with the evidence. As
Dylan sings “for all those who have eyes, and all those who ears, It is only
Him that can reduce me to tears.” The Apostle Paul, himself a converted Jew,
explains what it is like when you are given the eyes to see and the ears to
hear the gospel, He says:
2 Corinthians 3:16 "But when
one turns to the Lord, the veil is removed."
At the time of this book, Seth’s mind was completely closed
off to this possibility. Can he cast it aside, all this loyalty and this pride? It’s a bit of a shame, because as I have tried to communicate, the rest of the book is a pretty good read.
[i]
In the Acknowledgments on the final page of the book (p.298) before the
Permission and index, Seth thanks his children for “sharing their father with
an obsession and the need to work it
out through the writing of a book.”
[ii]
Post by Jeff Cochran:
http://likethedew.com/2010/02/24/slow-train-rockin-the-white-house-part-5/
There is a great version of the
song: Slow Train Coming from a performance in Rotterdam, The Netherlands September 19, 1987 at the following site:
